Imagined Noise invites the spectator to reflect on the potential

audio material captured in the magnetic tape and the temporal

complexities of its corporeal interactions with other mediums. As the silent tape traverses the strings of a makeshift acoustic body, the listener’s attention is redirected to the resonant properties of two musical objects interacting with each other, rather than the contents of the audio tape, which should “contain” the other. Via piezo pickups, the interactions of these two, and thus the inharmonic complexities within these are amplified and now evidently present in the room. The two mediums cease to whisper and become playheads of the other, allowing us to listen in our imagination what a resonating body could be and what sonic matter of the past could be encapsulated in the tape.